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Toxic Relationships
Rausová, Terezie ; Rodek,, Václav (referee) ; Rathouský, Luděk (advisor)
In my work I have been working for some time with topics such as anthropocene, parasitism, symbiosis and environmental anxiety. I search for and capture the socio-ecological situation. I ironize the self-destructive behavior of modern people in terms of endangering basic life functions and warn of poisoning the environment, which plays an irreplaceable role in the lives of future generations. My source of inspiration is science fiction stories, which often deal with apocalyptic vision. The starting medium for me throughout the study is painting, which I build on strong and fluorescent colors. Formally, the paintings are made of acrylic paint and spray on canvas. The output of the bachelor's thesis is a series of large-format paintings, supplemented by smaller formats, which should attract with their neon colors and at first glance draw the viewer into a toxic zone. The installation should worry the viewer and not leave you cold in connection with the position of man within the social and natural system.
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Landscape of mining
Frič, Miloslav ; Ryška, Pavel (referee) ; Vaněk, Vojtěch (advisor)
The landscape of surface mining is a visual play that expoits the land on this large format drawing. My work investigates the limits of hanged art piece through the use of video projection and camera. The spectator is not limited by a clear thought framework but urged to experience a visual experience in this very place and time.
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Hall
Žilinský, Michal ; Cenek, Filip (referee) ; Mikyta, Svätopluk (advisor)
Using slow camera movement in 20 minutes in five video scenes of completely CGI-rendered environment called Area of Universal Latency, I am mapping space-time of the zone which is located in the north-western Slovakia. Minimalistic narration of the autonomous single-channel video projection is confronting subjectivism with universality of the Anthropocene, vanitas and spirituality with the belief of consumerism in infinite accumulation and simulacra of virtuality with the absolute truth. The story of this video-poem is communicated through virtual environment, composed sounds and natural noises. This thesis is presenting a fragment of my attempt to record the morphology of the specific place through which, as the title of the video states, I am indicating the state of reality and its consequences yet not describing it explicitly.
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Everything's Gonna Be Alright
Tejml, Ladislav ; Vaněk, Vojtěch (referee) ; Krekovič, Slavomír (advisor)
My diploma thesis follows the unfinished EGBA cycle, which started in late October 2016. The name EGBA is the result of the uncertainty, anxiety and loss of trust in man as a healthy individual. I see the EGBA project as a candy with a filling, the content of which is composed of taste that influences one another. Even though it's a great advertisement, the great packaging itself looks great, the candy itself is inedible. The first of the mixed tastes is the term postcapitalism, as a constantly persistent system of capitalism, which, despite all possible peripetions, can not and does not overcome. Despite the growing interconnection of influential entrepreneurs with the state apparatus into the incomprehensible web of ties and relationships associated with deepening financial inequality among people, high indebtedness of countries, degrading environment, etc. The second taste is the temporality in which I am the primary acceleration as an alleged tool of progress. Accelerating is a long-term process that comes with modern times as a result of the Industrial Revolution. Today's time brings us a freneticly fragmented reality in which we try to squeeze as many acts or performances as possible into shorter time intervals. Speed has become a sign of success, so it's no surprise that many of us end up on the pill of hope as it is clear that our biorhythm can not be stretched indefinitely. The current, accelerated society can be likened to a swamp. The faster it rotates its gear, the faster it sinks in the liquid period. The third taste is posthumanism, which we have achieved by constantly simplifying and reducing the problems that nature poses before us. This relief has led us to create a machine that is so effective in reducing it, that it also creates its own problems. Technology keeps coming close to us, constantly evolving new technological advances that are increasingly "more sophisticated, useful and smarter". The inconspicuous disappearance of human nature gradually transforms into the form of Thésa's ship. The fourth taste is anthropocene. The theme of anthropocene circulated most of the news channels. Yes, it is serious and undeniable, although in many conspiracy theories it is completely misunderstood, for example, the blue, not the green palette, Donald's tricks, etc. In short, a long-term game of chess, man versus nature seems to be more advantageous for blacks. The last ingredient is a binder named Internet, like saliva flowing through all of these tastes. All of these candy essences are frustrating for me, and the best solution to me was the theme of apocalypse in my previous work. Dystopic thinking, however, does not last long and I have begun to overflow the hopes of hope that it could all have some positive effect. So if I come somewhere to see a bowl of candy, I will not hesitate and taste it. Most of these are places where it is necessary to wait, to withstand, or to buy something, so I will enjoy plenty of time and quiet to enjoy the tastes of candy and wait for the rainbow.
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SASHA
Kadaňka, Petr ; Mazanec, Martin (referee) ; Vaněk, Vojtěch (advisor)
The main topic of the work is the interpretation of feelings related to the issue of disappearing landscape values at the expense of uncontrolled extensive development of suburban areas. It is a subjective thought product of several years of experience in architectural practice, including, among other things, one's own participation in a similar invasive construction. This empiricism has resulted in the constant questioning of ethical conduct and responsibility. The key terms are suburbanization, urban sprawl, development, satellite town, outskirts, transformation of the aura of a place in „non-aura“. An integral part of the work is represented by considerations about the general position of the object within the hierarchy of (sub)urban space. The object does not mean only positive examples in the form of aesthetic, orientation or vegetation elements. The focus is also on its averted form — waste, utilitarian technical and functional elements or, for example, the seemingly endless colonization of public space by cars. Colonization of our minds. All spatial objects are also psychotropic. Their mental impact can be beneficial, arousing affect or emotion. But what if the objects in the public space are completely missing? The urban object is not far from the position of an artifact, a prop of everyday life, which does not belong to a person physically, but mentally.
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Landscape-scale changes in central Europe around the Pleistocene-Holocene transition and the Anthropocene
Prach, Jindřich ; Pokorný, Petr (advisor) ; Kuosmanen, Niina Irina (referee) ; Roleček, Jan (referee)
This thesis investigates the dynamics of the central European landscape. Four case studies, exploring two key periods of environmental transformation: Late Glacial and the Anthropocene, are included. All case studies are connected by the spatial scale of interest: the landscape scale. This scale is targeted not only by the spatial extent of the sampling, but by the essence of the issues investigated, as broadly described in the introduction. The studies use disparate methods and different contexts, which helps to approach such a complex phenomenon - the landscape and its formation. The included studies are dealing with the Last Glacial landscape and vegetation by (1) comparing pollen records using modern analogues (here from Yakutia) and argues that the change at the Late Glacial/Holocene transition may not have been as great as previously thought, because at least somewhere forests may had existed during the Last Glacial being supported by permafrost melting. A follow-up study (2) explores how permafrost melting, i.e., thermokarst processes, generated an entire lake landscape whose remnants unexpectedly largely persist in the Třeboň region (southern Czech Republic) to recent times. This is followed by (3) the use of a detailed palaeoenvironmental record of the discovered lakes and their contexts...
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Lucy Kirkwood's play The Children from an Ecocritical Perspective
Hanusová, Veronika ; Topolovská, Tereza (advisor) ; Chalupský, Petr (referee)
This bachelor thesis deals with the play The Children by a contemporary British author Lucy Kirkwood. It looks at the play from an ecocritical point of view and focuses on the way it reflects the environmental problems of today's world, especially regarding the issue of human responsibility for human-induced climate change. The theoretical part introduces key concepts such as the idea of Anthropocene and Capitalocene, their ethical implications and the idea of responsibility towards future generations. Furthermore, it briefly touches upon the biography of the author, her work, and the real-life inspiration behind The Children, the 2011 nuclear disaster in Fukushima in Japan. The practical part interprets the play from the perspective of responsibility of one generation towards others. This thesis sees The Children as a commentary on the state of today's society and attempts to draw a parallel between the situation in the play and the current ecological crisis and climate change. KEYWORDS Lucky Kirkwood, The Children, Anthropocene, Responsibility, Future Generations, Climate Crisis
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Synthetic bodies
Veselá, Lenka ; Kolářová,, Kateřina (referee) ; Klodová, Lenka (referee) ; Fajnor, Richard (advisor)
In my dissertation thesis grounded in the notion of synthetic bodies, I reflect on the fact that we are not enclosed entities, but lively structures formed in relation to the environments which surround and entangle us. With a focus on industrially manufactured chemicals, which have become ubiquitous on Earth in the Anthropocene, I examine the far-reaching effects of what it means to be a synthetic body in a world permeated and transformed by man-made technologies. Through the collective publication and exhibition project Synthetic Becoming and individually developed intervention which localizes the effects of anthropogenic chemical pollution on our sadness, irritability, anxieties, inability to concentrate, and feelings of despair and hopelessness, I explore how we can live well in the context of changes caused by industrial modernity. How can we come to terms with our open and permeable, and thus also vulnerable and wounded bodies? How can we understand who we are becoming with anthropogenic chemicals? How can we accept and affirm the part of ourselves which is co-constituted through industrial production, distribution, and consumption? How can we resist, survive, and keep going — with and despite industrial chemicals?
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Toxic Relationships
Rausová, Terezie ; Rodek,, Václav (referee) ; Rathouský, Luděk (advisor)
In my work I have been working for some time with topics such as anthropocene, parasitism, symbiosis and environmental anxiety. I search for and capture the socio-ecological situation. I ironize the self-destructive behavior of modern people in terms of endangering basic life functions and warn of poisoning the environment, which plays an irreplaceable role in the lives of future generations. My source of inspiration is science fiction stories, which often deal with apocalyptic vision. The starting medium for me throughout the study is painting, which I build on strong and fluorescent colors. Formally, the paintings are made of acrylic paint and spray on canvas. The output of the bachelor's thesis is a series of large-format paintings, supplemented by smaller formats, which should attract with their neon colors and at first glance draw the viewer into a toxic zone. The installation should worry the viewer and not leave you cold in connection with the position of man within the social and natural system.
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